{"id":20470,"date":"2022-03-29T15:32:50","date_gmt":"2022-03-29T15:32:50","guid":{"rendered":"https:\/\/blogak.donostiakultura.eus\/ldantza\/the-crucible-arthur-miller\/"},"modified":"2022-03-29T15:32:50","modified_gmt":"2022-03-29T13:32:50","slug":"the-crucible-arthur-miller","status":"publish","type":"post","link":"https:\/\/blogak.donostiakultura.eus\/liburu-dantza\/the-crucible-arthur-miller\/","title":{"rendered":"The crucible, Arthur Miller"},"content":{"rendered":"<p lang=\"es-ES\"><span style=\"color: #202124\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: medium\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-16422\" src=\"https:\/\/blogak.donostiakultura.eus\/liburu-dantza\/wp-content\/uploads\/2022\/03\/The-crucible-196x300.jpg\" alt=\"\" width=\"196\" height=\"300\" srcset=\"https:\/\/blogak.donostiakultura.eus\/liburu-dantza\/wp-content\/uploads\/2022\/03\/The-crucible-196x300.jpg 196w, https:\/\/blogak.donostiakultura.eus\/liburu-dantza\/wp-content\/uploads\/2022\/03\/The-crucible-669x1024.jpg 669w, https:\/\/blogak.donostiakultura.eus\/liburu-dantza\/wp-content\/uploads\/2022\/03\/The-crucible-768x1176.jpg 768w, https:\/\/blogak.donostiakultura.eus\/liburu-dantza\/wp-content\/uploads\/2022\/03\/The-crucible-1004x1536.jpg 1004w, https:\/\/blogak.donostiakultura.eus\/liburu-dantza\/wp-content\/uploads\/2022\/03\/The-crucible-1338x2048.jpg 1338w, https:\/\/blogak.donostiakultura.eus\/liburu-dantza\/wp-content\/uploads\/2022\/03\/The-crucible.jpg 1519w\" sizes=\"auto, (max-width: 196px) 100vw, 196px\" \/><\/span><\/span><\/span><\/p>\n<p class=\"western\" align=\"justify\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\"><span style=\"color: #202124\"><span lang=\"es-ES\">Post honen idazlea:\u00a0<\/span><\/span><strong><span style=\"color: #202124\"><span lang=\"es-ES\">Slawka Grabowska<\/span><\/span><\/strong><\/span><\/span><\/p>\n<p class=\"western\"><a href=\"https:\/\/www.liburubila.euskadi.eus\/Record\/000001622558\" target=\"_blank\" rel=\"noopener\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\"><span lang=\"es-ES\">The Crucible, Arthur Miller<\/span><\/span><\/span><\/a><\/p>\n<p class=\"western\" lang=\"es-ES\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\">Penguin Books, 2015<\/span><\/span><\/p>\n<p class=\"western\" lang=\"es-ES\"><span style=\"color: #1f130f\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\">126 or.<\/span><\/span><\/span><\/p>\n<p class=\"western\" lang=\"es-ES\" align=\"justify\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\"><span style=\"color: #1f130f\">ISBN <\/span><span style=\"color: #333333\">9780141182551<\/span> <\/span><\/span><\/p>\n<p class=\"western\" align=\"justify\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\">Post hau ingelesez dago. <\/span><\/span><\/p>\n<p class=\"western\" align=\"justify\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\"><span style=\"color: #202124\"><span lang=\"en-US\">On April <\/span><\/span><strong><span style=\"color: #202124\"><span lang=\"en-US\">4<\/span><\/span><\/strong><strong><span style=\"color: #202124\"><sup><span lang=\"en-US\">th<\/span><\/sup><\/span><\/strong><span style=\"color: #202124\"><span lang=\"en-US\">, at <\/span><\/span><strong><span style=\"color: #202124\"><span lang=\"en-US\">Donostia Book Club<\/span><\/span><\/strong><span style=\"color: #202124\"><span lang=\"en-US\"> we are going to venture to talk about something a little different and we are going to analyze the famous play by <\/span><\/span><strong><span style=\"color: #202124\"><span lang=\"en-US\">Arthur Miller<\/span><\/span><\/strong><span style=\"color: #202124\"><span lang=\"en-US\">, <\/span><\/span><span style=\"color: #202124\"><span lang=\"en-US\"><i>The Crucible<\/i><\/span><\/span><span style=\"color: #202124\"><span lang=\"en-US\">, premiered in 1953. At first sight it&#8217;s a fictionalized account of the famous witch trials in Salem, Massachusetts in 1692. But in reality the work is an allegory of some events much closer to the author: the McCarthyism of the 1950s, the accusations, mostly false and fabricated, that led to the persecution and repercussions of anyone suspected of disloyalty, communism, subversion, or treason.<\/span><\/span><\/span><\/span><\/p>\n<p align=\"justify\"><!--more--><\/p>\n<p class=\"western\" lang=\"es-ES\" align=\"justify\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\"><span style=\"color: #202124\"><span lang=\"en-US\">Between 200 and 300 people were accused of witchcraft in Salem. 19 of them were sentenced to death: 14 women and 5 men. In <\/span><\/span><span style=\"color: #202124\"><span lang=\"en-US\"><i>The Crucible<\/i><\/span><\/span> <span style=\"color: #202124\"><span lang=\"en-US\">Arthur Miller presents the mechanisms that unleashed this collective fever of accusations, fear and religious fanaticism. Mechanisms that today we know to be very similar to those caused by Senator Joseph McCarthy.<\/span><\/span><\/span><\/span><\/p>\n<p class=\"western\" lang=\"es-ES\" align=\"justify\"><a name=\"tw-target-text2\"><\/a> <span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\"><span style=\"color: #202124\"><span lang=\"en-US\">In 1996, Arthur Miller wrote an article for <\/span><\/span><span style=\"color: #202124\"><span lang=\"en-US\"><i>The New Yorker<\/i><\/span><\/span><span style=\"color: #202124\"><span lang=\"en-US\">, &#8220;Why I Wrote <\/span><\/span><span style=\"color: #202124\"><span lang=\"en-US\"><i>The Crucible<\/i><\/span><\/span><span style=\"color: #202124\"><span lang=\"en-US\">&#8221; where he regretted that few remembered the events that inspired his work. He said: \u201c<\/span><\/span><span style=\"color: #000000\">What terrifies one generation is likely to bring only a puzzled smile to the next<\/span> <span style=\"color: #202124\"><span lang=\"en-US\">.\u201d And that is why during our meeting we will try to look in detail at the historical context of both the plot of this story, and the one that was present in the life of its author.<\/span><\/span><\/span><\/span><\/p>\n<p class=\"western\" lang=\"en-US\" align=\"justify\"><a name=\"tw-target-text3\"><\/a> <span style=\"color: #202124\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\">The play is divided into four acts and the events depicted somewhat differ from the historical events. Miller warns in the prologue that he took various poetic licenses to limit the number of characters. It is a text of only 126 pages and was a Tony Award winner. I hope you are encouraged to read it and comment on it with us during the meeting. I leave you some questions for a bit more in depth reading:<\/span><\/span><\/span><\/p>\n<ul>\n<li>\n<p class=\"western\" lang=\"es-ES\" align=\"justify\"><a name=\"tw-target-text1\"><\/a> <span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\">What similarities can you see between John Proctor, one of the play&#8217;s characters and Arthur Miller, its author? <\/span><\/span><\/p>\n<\/li>\n<li>\n<p class=\"western\" lang=\"es-ES\" align=\"justify\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\">The title of the play is The Crucible. What is a crucible? What is the meaning behind this title?<\/span><\/span><\/p>\n<\/li>\n<li>\n<p class=\"western\" lang=\"es-ES\" align=\"justify\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\">How does John Proctor know that witchcraft is not real?<\/span><\/span><\/p>\n<\/li>\n<li>\n<p class=\"western\" lang=\"es-ES\" align=\"justify\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\">Why are the girls lying?<\/span><\/span><\/p>\n<\/li>\n<li>\n<p class=\"western\" lang=\"es-ES\" align=\"justify\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\">What happens when Mary Warren tells the truth?<\/span><\/span><\/p>\n<\/li>\n<li>\n<p class=\"western\" lang=\"es-ES\" align=\"justify\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\">Why don&#8217;t some people sign the confession to save their lives?<\/span><\/span><\/p>\n<\/li>\n<li>\n<p class=\"western\" lang=\"es-ES\" align=\"justify\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\">Why is Rebecca Nurse accused?<\/span><\/span><\/p>\n<\/li>\n<li>\n<p class=\"western\" lang=\"es-ES\" align=\"justify\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\">Why and how does the opinion of the Reverend Hale change?<\/span><\/span><\/p>\n<\/li>\n<\/ul>\n<p class=\"western\" align=\"justify\">\n","protected":false},"excerpt":{"rendered":"<p>Post honen idazlea:\u00a0Slawka Grabowska The Crucible, Arthur Miller Penguin Books, 2015 126 or. ISBN 9780141182551 Post hau ingelesez dago. On April 4th, at Donostia Book Club we are going to venture to talk about something a little different and we are going to analyze the famous play by Arthur Miller, The Crucible, premiered in 1953. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[],"tags":[],"class_list":["post-20470","post","type-post","status-publish","format-standard","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/blogak.donostiakultura.eus\/liburu-dantza\/wp-json\/wp\/v2\/posts\/20470","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogak.donostiakultura.eus\/liburu-dantza\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogak.donostiakultura.eus\/liburu-dantza\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogak.donostiakultura.eus\/liburu-dantza\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blogak.donostiakultura.eus\/liburu-dantza\/wp-json\/wp\/v2\/comments?post=20470"}],"version-history":[{"count":0,"href":"https:\/\/blogak.donostiakultura.eus\/liburu-dantza\/wp-json\/wp\/v2\/posts\/20470\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogak.donostiakultura.eus\/liburu-dantza\/wp-json\/wp\/v2\/media?parent=20470"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogak.donostiakultura.eus\/liburu-dantza\/wp-json\/wp\/v2\/categories?post=20470"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogak.donostiakultura.eus\/liburu-dantza\/wp-json\/wp\/v2\/tags?post=20470"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}