{"id":20604,"date":"2023-01-03T08:56:40","date_gmt":"2023-01-03T08:56:40","guid":{"rendered":"https:\/\/blogak.donostiakultura.eus\/ldantza\/the-family-chao-lan-samantha-chang\/"},"modified":"2023-01-03T08:56:40","modified_gmt":"2023-01-03T07:56:40","slug":"the-family-chao-lan-samantha-chang","status":"publish","type":"post","link":"https:\/\/blogak.donostiakultura.eus\/liburu-dantza\/the-family-chao-lan-samantha-chang\/","title":{"rendered":"The Family Chao, Lan Samantha Chang"},"content":{"rendered":"<pre class=\"western\"><span style=\"color: #202124\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: medium\">Written by: Slawka Grabowska<\/span><\/span><\/span><\/pre>\n<p align=\"center\"><a href=\"https:\/\/www.liburubila.euskadi.eus\/Record\/000001656327\"><span style=\"color: #1f130f\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: medium\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-17110 alignleft\" src=\"https:\/\/blogak.donostiakultura.eus\/liburu-dantza\/wp-content\/uploads\/2023\/01\/The-family-chao-197x300.jpg\" alt=\"\" width=\"197\" height=\"300\" srcset=\"https:\/\/blogak.donostiakultura.eus\/liburu-dantza\/wp-content\/uploads\/2023\/01\/The-family-chao-197x300.jpg 197w, https:\/\/blogak.donostiakultura.eus\/liburu-dantza\/wp-content\/uploads\/2023\/01\/The-family-chao.jpg 328w\" sizes=\"auto, (max-width: 197px) 100vw, 197px\" \/><\/span><\/span><\/span><\/a><\/p>\n<p style=\"text-align: left\" align=\"center\"><a href=\"https:\/\/www.liburubila.euskadi.eus\/Record\/000001656327\/?loc=locality_B-G0300&amp;lng=eu#holdings\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #262626\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: medium\"><strong>The Family Chao, Lan Samantha Chang<\/strong><\/span><\/span><\/span><\/a><\/p>\n<p><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: medium\">New York : Norton &amp; Company Cop., 2022<\/span><\/span><\/p>\n<p><span style=\"color: #1f130f\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: medium\"><span style=\"color: #333333\">301<\/span> pages<\/span><\/span><\/span><\/p>\n<p><span style=\"color: #1f130f\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: medium\">ISBN 978-0-393-86807-4<\/span><\/span><\/span><\/p>\n<p align=\"justify\"><span style=\"color: #262626\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: medium\">At Donostia Book Club we start the year 2023 with a new experience and we climb onto the retellings bandwagon. Retellings meaning books reinterpreting a popular story well known to the wide public. The most popular retellings are those of the Greek mythology, but we decided to take a risk with one inspired by Russian literature. <i>The Family Chao<\/i> by <strong>Samantha Chang<\/strong> (there is no Spanish translation yet) is inspired by <strong>Fiod\u00f3r Dostoyevski<\/strong>&#8216;s <i>The Karamozov Brothers<\/i> with a family of Chinese origin as protagonists.<\/span><\/span><\/span><!--more--><\/p>\n<p align=\"justify\"><span style=\"color: #262626\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: medium\">The Chaos are looking for their own American dream, but each of the three brothers imagines it in a different way. The fact that their father is a tyrant and their mother has just become a Buddhist nun does not help them clarify their ideas and plans for their future. A satire of what life can be like for immigrants and their children in a country so different from their own, of family relationships and with a Chinese restaurant in the middle. Drama that makes us smile more than once. The stereotypes are presented in a fun way, but at the same time make clear the damage they do.<\/span><\/span><\/span><\/p>\n<p align=\"justify\"><span style=\"color: #262626\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: medium\">The author, Lan Samantha Chang, apart from <i>The Family Chao<\/i>, has published two more novels and a book of short stories. The topics that seem to interest her most are the lives of immigrant families, living between two cultures and the creative process. Chang is currently the director of the Writers&#8217; Workshop at the University of Iowa.<\/span><\/span><\/span><\/p>\n<p align=\"justify\"><span style=\"color: #262626\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: medium\">We encourage you to read the book with us, on <strong>January 9<sup>th<\/sup> at 7:00 p.m<\/strong>. you can participate in our meeting both in person and by connecting online. Here we leave you some of the questions about the novel that we are going to try to analyze:<\/span><\/span><\/span><\/p>\n<table width=\"100%\" cellspacing=\"0\" cellpadding=\"4\">\n<tbody>\n<tr>\n<td valign=\"top\" bgcolor=\"#cfe7f5\" width=\"100%\">\n<pre class=\"western\"><span style=\"color: #3333ff\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: medium\">- <i>The Family Chao<\/i> is divided into two parts: \"They See Themselves\"\n  and \"The World Sees Them\".\n  How do these sections differ in terms of tone, narrative voice,\n  and theme? Who is \"the world\"? Who are \u201cthey\"?\n  What does this distinction imply for readers?<\/span><\/span><\/span>\n<span style=\"color: #3333ff\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: medium\"><span lang=\"en\">- How does the idea of sacrifice resonate in <i>The Family Chao<\/i>? What does\n  each character sacrifice?\n  For whom? With what intentions? In what social, political and economic\n  contexts?\n  How do your experiences shape your emotional connection to each\n  character's struggles?<\/span><\/span><\/span><\/span>\n<span style=\"color: #3333ff\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: medium\"><span lang=\"en\">- Ming tells James that \"America is not a democracy, it's not a place of\n  opportunity...if you can't choose\n  to be white\". How does <i>The Family Chao<\/i>'s narrative confirm this claim?<\/span><\/span><\/span><\/span>\n<span style=\"color: #3333ff\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: medium\"><span lang=\"en\">- What do you think of O-Lan? How do you relate to her motivations?\n  Do you feel empathy? Anger? Comprehension?\n  To what extent is O-Lan the autonomous character?\n  How might the character of O-Lan relate to the novel's larger themes\n  of visibility and invisibility?<\/span><\/span><\/span><\/span>\n<span style=\"color: #3333ff\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: medium\"><span lang=\"en\">- Were you satisfied with the ending of the novel? Did you have any\n  doubts?<\/span><\/span><\/span><\/span>\n<span style=\"color: #3333ff\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: medium\"><span lang=\"en\">- Which brother do you relate more to and why?<\/span><\/span><\/span><\/span><\/pre>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Written by: Slawka Grabowska The Family Chao, Lan Samantha Chang New York : Norton &amp; Company Cop., 2022 301 pages ISBN 978-0-393-86807-4 At Donostia Book Club we start the year 2023 with a new experience and we climb onto the retellings bandwagon. Retellings meaning books reinterpreting a popular story well known to the wide public. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[50],"tags":[],"class_list":["post-20604","post","type-post","status-publish","format-standard","hentry","category-eleberria"],"acf":[],"_links":{"self":[{"href":"https:\/\/blogak.donostiakultura.eus\/liburu-dantza\/wp-json\/wp\/v2\/posts\/20604","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogak.donostiakultura.eus\/liburu-dantza\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogak.donostiakultura.eus\/liburu-dantza\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogak.donostiakultura.eus\/liburu-dantza\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/blogak.donostiakultura.eus\/liburu-dantza\/wp-json\/wp\/v2\/comments?post=20604"}],"version-history":[{"count":0,"href":"https:\/\/blogak.donostiakultura.eus\/liburu-dantza\/wp-json\/wp\/v2\/posts\/20604\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogak.donostiakultura.eus\/liburu-dantza\/wp-json\/wp\/v2\/media?parent=20604"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogak.donostiakultura.eus\/liburu-dantza\/wp-json\/wp\/v2\/categories?post=20604"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogak.donostiakultura.eus\/liburu-dantza\/wp-json\/wp\/v2\/tags?post=20604"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}